Entries Tagged as 'teaching'

teacher teacher

dancinginthemoonlightdancing in the moonlight

i had a really fun morning teaching a group how to make one of my coptic stitch  jOurnals.

they  were eager to master this stitch which can be somewhat of a finicky one to learn but, once they got the hang of it, time whizzed along.  we used fabric for the front cover and paper for the back cover and throughout for the signatures. dancing in the moonlight 2what a fun way to spend a saturday morn.  thanks girls for making my job of teaching so easy!

i’ll be teaching this one again so stay tuned.

toodles,

G

Chelsea Vintage Class at DD Studios

just a quick post to let you know that i’m set up to teach again at donna downey studios. It’s the chelsea vintage mini that’s just way too cool.

it starts off with 6 regular #10 letter-sized envelope and we are rocking and rolling from there, cutting ‘n fold ‘n gluing ‘n embellishing to our hearts content.

then you get to fill this puppy with loads of photos and journaling and do-dads.

the original i made for a friend as a christmas gift. I showed it to her and let her touch it and caress it then promptly put it back in my bag to take to the shop as a sample.

she loved it…btw.

so call the shop and book your spot for march 24th….i promise not to make you laugh too, too much while we play!

Toodles all,

flying lessons & hitting those sweet spots

so i’ve been reading this e-book, flying lessons, by kelly rae for a few weeks now and all i can say is….i must be ready to hear it cause this girl is hitting some sweet spots.

i looooove me self help books. i love the dig…the excavating to my spirit soul.  i used to buy one book after the other all the time but found that i read and read each book but never actually got to the end. after a while they just got put aside. they didn’t hit any sweet spots.


credit:kelly rae roberts

kelly writes in such a way that you feel that you and her are sitting, chillin at your fav coffee shop, drinking a venti latte (cause you know this will be a long session) and talkin to you best girl as she breaks it down for you.

kelly starts of by giving you the one-two punch…..facing one’s fears (agrh! you say and complain “do i have too?”).

lemma me put it like this.  you know in that investment commercial where the agent tells the person to “stay on the green line” as the path unfurls before them? well i think conquering your fears is like that.  unless you take over and control those meddlesome, pesky, full ‘a noise things, your little green line never moves forward.

so it seems fitting that 1st kelly dishes out about breaking it down, not pushing them away or stuffing them in a draw to deal with later {read never, ever, ever here} but, rather, facing them and tellin them who’s boss.

so now that i’ve delved and journaled and thought and told them gremlins about themselves and put away the key to the lock (cause i now control them suckers) i feel i’ve cleared the path to move forward, to C R E A T E the life that’s waiting for me.

thanks miss kelly rae!




credit: kelly rae roberts

p.s.  if you think you are ready for your creative bliss to take you places…..read kelly’s book first and hit your sweet spots, then you too will begin to soar like a bird in flight.
fasten those seat belts honey!

Facings: An Alternative to Traditional Bindings

At our recent Charlotte Guild show I did a demo on how to add facings to our art quilts. There are many ways to finish a quilt. Of course there is the Traditional Binding whereby strips are cut, joined end to end and stitched onto the quilt. The “Escape Hatch” or pillow case finish is just that….an escape through a slit at the back so that the quilt can be turned right side out.

My favorite method however is the Facings finish. I find that that this technique gives the most clean finished edges because it folds completely to the back. It is especially useful for small art quilts because there are not any distractions to interfere with the art on the front.

Follow along as I demonstrate how to achieve this look. Please note that for this demo only I used two different fabrics so you can see clearly how each side is positioned as you sew. I usually use the same fabric as my backing so that the facing and the backing blend as one continuous piece.

A walking foot is ideal to help move the 3 layers along but sometimes I do use my 1/4″ foot as well.

machine-feet

Supplies

~fabric strips
~fusible web
~thread to match fabric

Facings Directions

Square quilt (if necessary).

Cut 4 strips 2¼” x the length of each side.   For example, for an 18″ x 24″ finished quilt—-cut 2 strips 18″ long and  2 strips 24″ long.

Fold over ¼” on one end. Press (see below).

pressing-down-seam

Cut 2—1″strips from fusible web the length of each side measurement above. Set up strips with folded edges of 2 strips (same length) facing each other like below.

1-butted-strips

Center fusible web on strips and fuse in place….don’t let folds overlap while fusing.

butted-strips-closeup

Crease release paper of fusible web by folding in half. Cut along center line. *BE CAREFUL TO NOT CUT INTO FOLDS*

creasing-strips

cutting-strips

I start with the top and bottom strips for this next step.

Peel off release paper for top strip. Pin to front of the quilt at the top aligning edges (click to enlarge photo).  Start stitching at folded edge, backstitching at beginning and end.

sewing-1st-strip-trio1

Turn quilt and take one diagonal stitch across corner (2nd photo above). Turn again and continue to end taking another diagonal stitch at other corner. Repeat for bottom strip.

Peel off release paper and pin one side of strip to quilt overlapping  just past the folded edge of 1st sewn strip. Cut off excess so that other end overlaps fold.

cutting2nd-strip

Begin stitching from line of previous stitching towards other end backstitching as before. Repeat for other side.

sewing-2nd-strip

Clip corners close to diagonal stitch.

cutting-off-corners diagonal-stitch

One of the techniques I have taken from my clothes making days to make the facing lie flat is stay stitching the edges.  This type of garment stitch is a row of straight stitching done ⅛”along the open edge of a seam to prevent seams from rolling to the front and to prevent unwanted stretching. I employ it here to keep the facing towards the back of the quilt.

Next step is to stay stitch edges, keeping seam in same direction of facing (3rd photo).

sty-stch-1 sty-stch-2

sty-stch-31

Fold facings to back, pushing corners out.

turning-facing-trio3

turned-facing

turned-facing-2

Fuse in place, pressing facing edges completely to back so not seen on front.

fusing-to-back fused-facing

Turn quilt over and iron from front. If the quilt will be shown in a quilt show I would stitch the edges down by hand just like you do for regular binding. I know, I know it’s just not something you can get away from, even using facings to finish you work although the samples I make for my workshops I just leave as fused.

ironing-from-front

The only thing left to do now on your quilt is to add sleeve, a label and you’re done.

The 1st photo below is a close up of the front of the quilt with edges nicely stitched and folded under. The 2nd photo is how my facing usually look matching the backing fabric so it blends in well and almost disappears.

BTW, isn’t that the most funk-a-delicious fabric I have on the back? So very 60′s!

finished-facing-closeup same-fabs-facing

And here’s the finished piece.

finished-facing

For this one I walked in my studio one day and felt the need to play with shapes and such using some of my hand dye fabrics….NOT a piece I will put in my repertoire….I mean c’mon…..the facings are different from each other and the backing as well.

I will be putting this link on my Tutorials Page (see tab at top of blogunder banner). If you would like a PDF file of this turorial to have in front of you while you practice this easy technique please email me (see sidebar) and let me know. I will gladly get one off to you.

Send me some pics of your finished art quilts using this technique. Also, if you have any questions let met know and I’ll try to answer them for you.

See ya next time “In the Hayloft”,

Stamp Carving Workshop

A few months ago I was one of 4 who volunteered to do a demo for my local quilt guild. That night the guild (about 45 members) was divided into groups, with each group traveling to different demo tables. Each person doing a demo had about 6 or 7 minutes to talk really, really fast about their technique so there was only so much I could demonstrate.

Well….a few of them wanted MORE!  The Graybarn Girls (isn’t that a cool name)  invited me to come to one of their meeting to do a more advanced workshop with them, this Saturday, the 17th as a matter of fact. I was so excited.  Stamp carving is fairly easy to do once you get the hang of it and know the tips for clean carving.

This year I intend (my word for the year remember?) to teach more workshops and have been working on a couple of new workshops that I will be offering but more on that in a later post. To that end, I’ve created a stamp carving workshop called ” Creating Personal Imagery Through Stamp Carving“. I feel that working with images that have personal meaning to you makes your artwork more meaningful.

So with the girls,we will be exploring a little bit more about the images that connect with us and hopefully carving a of few of these images for use later in the workshop project, an imagery journal.

Imagery Book

If you and your group are interested in learning how to carve stamps consider booking me for a workshop  I would love to help you along in your art journey. (BTW, I don’t mind traveling but airfare is up to you…smile).

BTW, remember I said I wanted to carve my very own alphabet…take a look below at these before and after shots.

alphabet-stamps After

I have a file full of ideas for new stamps. Now I’m certainly not into insects but one image that resonates with me are dragonflies. Usually when I use them in my work they represent a transformation to me. I’ve long had an idea for a dragonfly stamp….but I’m keeping it to myself a little while longer.

See ya next time “in the Hayloft”,

Blog Update

I’ve updated my blog with a few new pages. The first is about the presentation I give to guilds entitled:

Evolution of a Fiber Artist: The Life and Times of a Quilt Addict“.

If you would like to book a presentation for your guild please use the contact form on the right to send me an email.

I have also included a “Workshops” page. Right now I am reformatting the workshops I offer so check back often to see the updated list. I can’t wait to share them with you.

See ya next time “In the Hayloft”,

What's Coming up on My Schedule

Just a quick post to let you know that I will be speaking to Foothill Quilter’s Guild in Shelby, NC tomorrow night. I’ll be giving my presentation “The Evolution of a Fiber Artist”, a tongue in cheek look at my life as a quilt addict turned fiber artist.

Also this Sat, May 24th, I will be teaching a class “All About Bindings” at Quilter’s Loft in Moorseville for all those who need a refresher on how to put on those pesky bindings.

Keep checking my website RedBarn-Studios to see other classes and workshop I will be offering. Check out the shop’s blog to see other classes they offer.

See ya next time “In the Hayloft”,

New Class I'm Teaching

I’ve had to reschedule my “All About Bindings” class from last weekend to Sat, May 24, 2008 at Quilter’s Loft in Moorseville. This will not be a demo class, you will be working on a small sample that you can use for reference at home.

I will show you how to create double fold binding and will be doing a demonstration of bias binding.


For those quilters who get in a “bind” when it comes to joining binding ends after it has been attached to the quilt, I will show you a foolproof way to do this that will not have you pulling out stitches (or your hair…egads!) because binding won’t fit flat.

Call Quilter’s Loft at 704-662-8660 to register.

See ya next time “In the Hayloft”,

A New Class

I’ve been interested in colour theory for a long time and have wanted to come up with a class that was interesting (not having your students fall assleep in a theory class is a good thing) but also informative, covering everything you ever wanted to know about colour (not really, just the important bits like value).

Today I taught this new class at one of the shops I regularly teach at, Quilter’s Loft in Mooresville, NC and it went much better than expected.

I’ve been teaching for close to 14 yrs (egads! who told me to put that bit of info in) and find that new quilters struggle when picking colours for their quilts, heck I still struggle at times. The class was small, only 2 students, but it gave me a chance to test my concept for the class.

My quilt, Blueberries and Mint Parfait (above), was the teaching sample. The reason I think this quilt works so well is because of how simple it is to piece. Students could quickly get to the theory part of the class without having to think real hard on how to piece the block.

When I teach I like to provide a complete picture of the subject at hand so that students walk away from my class being able to transfer that information to any quilt they produce. I’m finding these days that I prefer to teach techniques rather than how to make a particular quilt or pattern. The satisfaction I get is seeing the light bulb come on (or at least flicker a bit) in a student who was struggling before.

The class was 3 hours long (I hear a big sigh out there) but wait…it included a lot of playtime on the design wall, interspersed with all that scrumptious theory. Even so I think I can expand the class to include some colour exercises so students go home with work they can reference. For now though, I think I did good…or so my students told me.

See ya next time” In the Hayloft”,
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